“Then once you understand what it is, you know the impact and you know what it means. “You know something big is coming your way because these are people who normally just call you on the phone, ‘Hey, John, what’s up? We want to talk.’ And now it’s like ‘Someone’s trying to get in touch with you, but you need to sign a document,’” Ridley continues. But his new assignment was shepherding the future of a billion-dollar franchise. The screenwriter behind 2013’s 12 Years a Slave and the creator of American Crime has been an avid comic fan since the ’70s and has had stints helming his own comics and writing credits on animated Justice League and Static Shock shows. “When DC offered me the job, there were all these vague phone calls and ‘You’ve got to sign these nondisclosures,’” Ridley says over a Zoom call. That changed when DC Comics reached out to John Ridley about his interest in bringing a different type of Batman to life. But the one thing Batman’s rarely been throughout his 82-year history is a person of color written by a person of color. Part of the nocturnal superhero’s proposition is that he’s malleable to almost any time or genre. He’s fought clowns, gods, the devil, Jack the Ripper, and drug-fueled paranoia. rex, a vampire, a homeless person, and a fifth-dimension imp, among other things. Batman has been many things over the years: a caveman, a T.
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